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RF

It was our nationalism…which drew the country into an occupation and settlement of the West Bank…None of the leaders of the Labor movement believed that the Palestinians deserved the same right [as Jews] because none of them believed in universal rights. Pretending, like [Arthur] Hertzberg and others do, that the Occupation and the colonial situation created in the last thirty years was merely the product of the Arab refusal to recognize Israel, is no more than looking for an alibi and falsifying history…

The time has come to say that if the settlements in Judea and Samaria or in the very heart of Hebron are the natural, logical and legitimate continuation of the original intention of Zionism, then we need another Zionism. If a ‘Jewish State’ that does not recognize the absolute equality of all human beings is considered to be closer to the spirit of the founding fathers than a new liberal Zionism, then it is time to say good-bye to the ghosts of the founders, and to start forging for ourselves an identity detached from the mystical ramifications of our religion and the irrational side of our history.

Israeli professor of political science, Ze’ev Sternhell, in “Tikkun”, May/June 1998. (via thepeacefulterrorist)

Few can be as blunt regarding the legacy of the United States toward the native people of this land as the 26th President of the United States, Theodore Roosevelt. In his narrative, “The Winning of the West,” Roosevelt spoke about the “spread of the English-speaking peoples over the world’s wasted spaces.” He wrote: “The European settlers moved into an uninhabited waste…the land is really owned by no one…. The settler ousts no one from the land. The truth is, the Indians never had any real title to the soil.”

In an interview with the British Sunday Times, on June 15, 1969, former Israeli Prime Minister, Golda Meir made similar claims, stating, “There was no such thing as Palestinians. It was not as though there was a Palestinian people in Palestine considering itself as a Palestinian people and we came and threw them out and took their country from them. They did not exist.”

While Native Americans and Palestinians were the ancient indigenous peoples of their lands, this was of little or no relevance to the foreign settlers. What really mattered was “Manifest Destiny”, what really mattered was “Zionism”.

Palestinians and Native Americans by Ramzi Baroud, a tale about a case of settler-colonialism completed and one in progress that we still have a chance to stop. (via antoine-roquentin)

Dear Zionists: You have never “defended yourselves.” You came in, stole land that wasn’t yours & maintained a racist state through massacres and brute force.

Remi Kanazi (via xeb695)

palisplace93:

Born in Palestine but ashamed of his zionist passport, Rabbi Avraham Greenberg burns his Israeli passport in protest at the slaughter of Palestinians in Gaza at a counter-demo organised by the Islamic Human Rights Commission opposing a zionist rally in Trafalgar Square on 11th January 2009.

I believe this is my favorite post that I’ve posted.

Hope for humanity ^^

…the Occupation of Palestine and Palestinians is fundamentally constructed by and through carceral politics. What is meant by ‘carceral politics’?  Basically, it’s the politics of incarceration. So, in the fact that the threat of incarceration by the Israeli State is a constant threat, and one which is constantly carried out against large segments of the Palestinian population: if you want to subdue a population, you keep them under constant threat of harassment, imprisonment, maltreatment, separation from family and friends. But it’s not just that the possibility of incarceration is ever-present (although that is fundamental to the project) but also that the length of time that one will spend incarcerated is potentially unknown, potentially unending. This is the regime of Administrative Detention. So everyone has a family member, or a close friend, who has been incarcerated under this regime. It’s literally ever-present, in a temporal and a spatial sense.

Butler made the argument that this system exists not to produce docile bodies who will willingly serve the state – as Foucault has taught us it does – but rather the system works to produce empty bodies who can be incarcerated. The carceral system is the endpoint in a system of colonisation: the colonisation is made (in large part) of the incarceration system. The Occupation rests on it.

— tobybee of jew on this on the panel  “Carceral Politics in Palestine and Beyond: Gender, Vulnerability, Prison”, featuring Judith Butler, Angela Davis, and Lena Meari.  (via ourcatastrophe)
lifeisliterallylimited:

The Dictator and The Zionist - The Trouble with Sacha Baron Cohen.
This morning, Sacha Baron Cohen is on my mind. Not a pleasant image to have to confront, but he’s been all over the place with the press for his new movie, The Dictator, which premiered in London earlier this week. He plays a composite character based on Saddam Hussein and Muammar Gaddafi - but I also see a lot of Iran’s Ahmedinijad in there. I don’t even really know what the plot of the movie is, but SBC’s movies have never really been big on plot.
I read this blog on CNN by Dean Obeidallah which calls out Cohen on the racism he displays in “browning up” to play an Arab man. Obeidallah’s argument is that Arabs and Indians themselves should be in movies that make fun of them. Fair enough. He doesn’t go far enough, in my opinion, to address all the stereotypes of Arabs that come out to play in the movie, but that’s because he hadn’t seen the movie when he wrote the piece. I wonder if he will.What bothers me is that nobody’s addressing something more complex and, in my mind, more dangerous. So I’m going to attempt to do it. I know what I’m going to say is controversial, but I believe in speaking my mind when I see something that bothers me.You see, SBC is a Zionist, a very publicly declared one. Which is not a problem for me personally, really. He’s got the right to hold his political views even if they are very bigoted ones that have been the root of most of the strife in the Middle East since 1948. But he’s got a very deliberate agenda which he expresses not-so-subtly in all his movies, and it’s not being said by commentators because of the fear that they will be called anti-Semitic.Zionism is the belief in a Jewish nation, and the accompanying fierce loyalty to that nation, no matter what it does in the name of protecting itself and perpetuating its survival. It’s Zionism, not Judaism, that has seen the worst atrocities committed against the people of Palestine. Now, SBC doesn’t go around spouting things about the greatness of Israel in his movies. But if you look carefully, each one of his productions - from Ali G to Borat to Bruno to now, The Dictator, advances a certain element of Zionist propaganda against Muslims. Which is that Muslims are laughable, unintelligent, idiotic people with no intellect at best, and terrorists at worst. And Cohen uses buffoonery to do this.How? By taking the stereotypes, derived both from Orientalism and from anti-Islamic Zionism, and playing them out to such ridiculous extremes, that his audiences laugh. And in laughing, they feel entertained. And in being entertained, they swallow the stereotypes and the racism whole, without pausing to critically analyze what they’ve been presented with. You could call this SBC’s particular genius. Yes, it’s pretty clever. But it’s also dangerous.With Ali G, Cohen presented a fairly innocuous character: a rudeboy of uncertain ethnicity* (but everyone assumed he was Asian, or at least an Asian persona taken on by a white man for even more irony and laughs) who was stupid, racist, anti-Semitic, and sexist. A genius comedic character who made people laugh and believe that Asians, especially Muslim ones, of a certain age, class, and educational level, are all like this.With Borat, I almost don’t have to say anything. We all know the buffoon he played who was from Kazakhstan who went to the United States and displayed all sorts of inappropriate behavior. He spouted off truisms about life in Kazakhstan, which included some pretty nasty jibes at village life - “My sister is best prostitute in village” - implying that again, Kazakhs - who happen to be Muslim - are backwards, idiotic yokels who engage in incest and bestiality. Of course it’s ridiculous, you say, we know it’s not true. Yes, but when you pick a country that most people know virtually nothing about and you assign values and mores to it, you know that because of the vacuum of knowledge, people will subconsciously adopt those values, or at least associate them with the country in the absence of better knowledge. Again, very, very clever.In Bruno, the story of a gay Austrian fashionista, there’s no overt racism against Arabs or Muslims for a while. But then Cohen pulls the stunt of interviewing a Palestinian man who he claims is a dangerous Muslim terrorist. The man, in real life, is a Palestinian Christian who has nothing to do with terrorism. Cohen made him sign a release form before appearing in the movie, and didn’t tell him that he was going to brand him as a terrorist. On screen, this is a big joke, but in real-life Palestine, this can result in your death at the hands of Israeli security forces.Most people think of Sacha Baron Cohen as a comedic genius, as I said before, as a trickster, someone who stands conventions on their heads to get laughs. I see him as someone else: a very intelligent man with a political stance and a stage on which to make that stance known. That he’s being subversively funny about it and using comedy rather than straight political discourse to do so is a sign of his brilliance, but also of his duplicity. He is advancing the worst of Zionist propaganda against Muslims with his movies, and the worst part is, you’re paying $15 each time to see him do it.*I’ve had several people tell me Ali G was a parody of whites who want to be gangsta, Jamaican, or black. This wasn’t revealed until later in the series, though - and to be honest, when I saw him, the first thing that popped into my mind was that he was a parody of an Asian. Perhaps it was the name “Ali” (which was later revealed to be short for Alistair), a Muslim name that is very common amongst British Pakistanis, not so common amongst Afro-Carribbeans. Anyway, even if it was a white wannabe, critics rounded on him for making it “safe” to laugh at that culture from an imagined politically correct stance because it was buffoonery. I stick to my original claim that he was lampooning Asians (in addition to blacks, a more definite identity that I think evolved and became clearer as the series went on), and that his Zionist, anti-Muslim and anti-Arab stance has become more bold over time and become more and more overt in his films. And one thing people don’t know is that when he talks in the supposed language of each character, he’s actually making in-jokes in Hebrew.
(x)

lifeisliterallylimited:

The Dictator and The Zionist - The Trouble with Sacha Baron Cohen.

This morning, Sacha Baron Cohen is on my mind. Not a pleasant image to have to confront, but he’s been all over the place with the press for his new movie, The Dictator, which premiered in London earlier this week. He plays a composite character based on Saddam Hussein and Muammar Gaddafi - but I also see a lot of Iran’s Ahmedinijad in there. I don’t even really know what the plot of the movie is, but SBC’s movies have never really been big on plot.

I read this blog on CNN by Dean Obeidallah which calls out Cohen on the racism he displays in “browning up” to play an Arab man. Obeidallah’s argument is that Arabs and Indians themselves should be in movies that make fun of them. Fair enough. He doesn’t go far enough, in my opinion, to address all the stereotypes of Arabs that come out to play in the movie, but that’s because he hadn’t seen the movie when he wrote the piece. I wonder if he will.

What bothers me is that nobody’s addressing something more complex and, in my mind, more dangerous. So I’m going to attempt to do it. I know what I’m going to say is controversial, but I believe in speaking my mind when I see something that bothers me.

You see, SBC is a Zionist, a very publicly declared one. Which is not a problem for me personally, really. He’s got the right to hold his political views even if they are very bigoted ones that have been the root of most of the strife in the Middle East since 1948. But he’s got a very deliberate agenda which he expresses not-so-subtly in all his movies, and it’s not being said by commentators because of the fear that they will be called anti-Semitic.

Zionism is the belief in a Jewish nation, and the accompanying fierce loyalty to that nation, no matter what it does in the name of protecting itself and perpetuating its survival. It’s Zionism, not Judaism, that has seen the worst atrocities committed against the people of Palestine. Now, SBC doesn’t go around spouting things about the greatness of Israel in his movies. But if you look carefully, each one of his productions - from Ali G to Borat to Bruno to now, The Dictator, advances a certain element of Zionist propaganda against Muslims. Which is that Muslims are laughable, unintelligent, idiotic people with no intellect at best, and terrorists at worst. And Cohen uses buffoonery to do this.

How? By taking the stereotypes, derived both from Orientalism and from anti-Islamic Zionism, and playing them out to such ridiculous extremes, that his audiences laugh. And in laughing, they feel entertained. And in being entertained, they swallow the stereotypes and the racism whole, without pausing to critically analyze what they’ve been presented with. You could call this SBC’s particular genius. Yes, it’s pretty clever. But it’s also dangerous.

With Ali G, Cohen presented a fairly innocuous character: a rudeboy of uncertain ethnicity* (but everyone assumed he was Asian, or at least an Asian persona taken on by a white man for even more irony and laughs) who was stupid, racist, anti-Semitic, and sexist. A genius comedic character who made people laugh and believe that Asians, especially Muslim ones, of a certain age, class, and educational level, are all like this.

With Borat, I almost don’t have to say anything. We all know the buffoon he played who was from Kazakhstan who went to the United States and displayed all sorts of inappropriate behavior. He spouted off truisms about life in Kazakhstan, which included some pretty nasty jibes at village life - “My sister is best prostitute in village” - implying that again, Kazakhs - who happen to be Muslim - are backwards, idiotic yokels who engage in incest and bestiality. Of course it’s ridiculous, you say, we know it’s not true. Yes, but when you pick a country that most people know virtually nothing about and you assign values and mores to it, you know that because of the vacuum of knowledge, people will subconsciously adopt those values, or at least associate them with the country in the absence of better knowledge. Again, very, very clever.

In Bruno, the story of a gay Austrian fashionista, there’s no overt racism against Arabs or Muslims for a while. But then Cohen pulls the stunt of interviewing a Palestinian man who he claims is a dangerous Muslim terrorist. The man, in real life, is a Palestinian Christian who has nothing to do with terrorism. Cohen made him sign a release form before appearing in the movie, and didn’t tell him that he was going to brand him as a terrorist. On screen, this is a big joke, but in real-life Palestine, this can result in your death at the hands of Israeli security forces.

Most people think of Sacha Baron Cohen as a comedic genius, as I said before, as a trickster, someone who stands conventions on their heads to get laughs. I see him as someone else: a very intelligent man with a political stance and a stage on which to make that stance known. That he’s being subversively funny about it and using comedy rather than straight political discourse to do so is a sign of his brilliance, but also of his duplicity. He is advancing the worst of Zionist propaganda against Muslims with his movies, and the worst part is, you’re paying $15 each time to see him do it.

*I’ve had several people tell me Ali G was a parody of whites who want to be gangsta, Jamaican, or black. This wasn’t revealed until later in the series, though - and to be honest, when I saw him, the first thing that popped into my mind was that he was a parody of an Asian. Perhaps it was the name “Ali” (which was later revealed to be short for Alistair), a Muslim name that is very common amongst British Pakistanis, not so common amongst Afro-Carribbeans. Anyway, even if it was a white wannabe, critics rounded on him for making it “safe” to laugh at that culture from an imagined politically correct stance because it was buffoonery. I stick to my original claim that he was lampooning Asians (in addition to blacks, a more definite identity that I think evolved and became clearer as the series went on), and that his Zionist, anti-Muslim and anti-Arab stance has become more bold over time and become more and more overt in his films. And one thing people don’t know is that when he talks in the supposed language of each character, he’s actually making in-jokes in Hebrew.

(x)

israelfacts:

Thousands of Israelis march outside the old city of Jerusalem on May 20, 2012, as they celebrate Jerusalem Day when Israel illegally annexed East Jerusalem — the Arab sector — in 1967. Israeli police thugs arrested several Palestinian demonstrators (bottom) throughout the day. (Getty Images)

From +972:

Jerusalem Day is not a celebration of a unified city, but rather a show of Israeli power, a reminder for the Palestinians that Jerusalem is an occupied city where non-Jewish residents don’t count.

Every year, Jerusalem Day brings a depressing shadow over East Jerusalem. While Israelis celebrate the “liberation” of the city, Palestinians mourn the beginning of a long journey of oppression and occupation. On Jerusalem Day, tens of thousands of Israelis right-wing activists are allowed to parade in the streets, Palestinians are told close their shops, remain in their homes and not bother the celebration.

Every year’s celebration of Jerusalem Day is full of provocation and attacks on the local Palestinian population. In this video, you can see an example of what happens. First comes the famous slogan “Mavet Le’Aravim” (Death to Arabs), then physical attacks such as stone throwing. The police often tries to calm things down but Palestinians are often arrested even if beaten by the extremist marchers.

Related: “Death to Mohammad” — Watch: Jerusalem Day’s (2011) racist march, escorted by police